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Krokus: “Unique Album Classics” Collection Overview

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Krokus: “Original Album Classics” Assortment Evaluation
Updated on December eleven, 2017 Keith Abt moreI’ve been an obsessed exhausting rock/heavy metal fan and CD collector for the reason that early 1980s. If it’s bought a great guitar riff and perspective, I am in.

Contact Writer Krokus shall be next yr’s Def Leppard.

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— Krokus manager Butch Stone to Circus Magazine, September 1983 KROKUS – Original Album Classics three-CD set (Sony/Legacy/Arista, 2012)
Swiss rockers KROKUS by no means quite lived up to that rather grandiose managerial prediction shown above, however they managed to carve out a reasonably decent career for themselves throughout the big ’80s metallic growth. American audiences most likely remember them finest for 1983’s Headhunter album – a derivative-but-enjoyable slab of early ’80s steel which included the enduring radio staple “Screaming within the Evening.” Krokus was thought of a “new” act at that time, however Headhunter was actually their seventh (!) release – which meant the band already had a reasonably deep catalog of pre-Headhunter albums ready for curious followers to unearth them.

Founded as a progressive rock act in Switzerland in stone roses film spike island 1975, Krokus’ first two records – 1976’s self titled debut and 1977’s To You All – barely made a splash, even of their homeland. A stylistic switch towards AC/DC styled laborious rock on 1978’s mostly ignored Ache Killer album (aka Pay It In Metallic) did little to reverse the band’s waning fortunes. It wasn’t until Marc Storace – a singer initially from the tiny Mediterranean island nation of Malta, who’d been kicking across the European rock scene because the late ’60s – joined the fold in time for 1980’s Metal Rendez-vous that issues started falling into place for Krokus. Storace’s distinctively gritty and highly effective vocal style stone roses film spike island – a blend of Bon Scott’s pub-rock swagger and Robert Plant’s enviornment-rattling wail – fit the band’s sound like a glove. The remaining, as they are saying, is history.

I used to be a casual Krokus fan during their transient early ’80s heyday however they hadn’t been on my radar for a very long time — till I lately scored a bargain-priced CD of their greatest hits, which renewed my interest within the band. Searching for to re-purchase a few of their albums that I owned in my youth, I came throughout a cool Krokus field set that was released in 2012 as part of Sony/Legacy’s Authentic Album Classics reissue collection. The field features Marc Storace’s first three albums with the band – 1980’s Steel Rendez-vous, 1981’s Hardware and 1982’s One Vice At A Time – every in neat little cardboard slipcovers meant to imitate the looks of the original vinyl LPs. The set was an absolute steal for ten bucks so I snapped it up and I have been going down Steel Reminiscence Lane with the trio of CDs all week long.

“Metallic Rendez-vous” (1980)
I’ve owned Metal Rendez-vous on vinyl since the mid 1980s however since I not have a turntable to play LPs on, I hadn’t heard it in canine years. Therefore, revisiting this album after greater than two a long time was like getting a letter from an previous good friend. Metal Rendez-vous is about as subtle as the vehicle collision on its entrance cover, kicking off properly with the uptempo “Heat Strokes” earlier than sliding into second gear with “Bedside Radio” and the heavy-responsibility “Shy Child.” “Tokyo Nights” is a mid-tempo observe that begs the audience to sing along, virtually like an early blueprint of “Screaming in the Evening.” “Back Seat Rock N Roll” brings issues to a satisfyingly pummeling shut.

Comparisons to AC/DC are unavoidable when listening to Steel Rendez-vous (and certainly, a lot of the band’s catalog) resulting from Storace’s Bon Scott-esque vocals and Krokus’ propensity for using groan-worthy sexual double-entendres and puns of their lyrics and tune titles, identical to their Aussie heroes. What Krokus might lack in subtlety, they greater than make up for when it comes to catchiness and sheer volume!

“Heatstrokes” (1980)
“Hardware” (1981)
My brother owned Hardware on cassette back within the day and it was a frequent participant back then, but I’ve never owned a replica myself, subsequently I hadn’t heard it in a minimum of a quarter century. The rumbling “Celebration” gets issues off to a moody begin earlier than kicking into “Straightforward Rocker,” which salutes the band’s fans clad in leather-based jackets, coated with patches of “those heavy bands.” A particularly nasty groupie is immortalized in “Smelly Nellie,” and it does not take a lot imagination to figure out what the charming “Mr. Sixty nine” is about. Contemporary audiences will seemingly be shocked at a line in album-nearer “Mad Racket” by which Storace barks a few rival, “He is a transvestite — he’s a fag!” (I don’t suppose he is speaking a few cigarette…) Of the three albums included on this set, Hardware was my least favourite, in spite of a few respectable tracks. It simply would not have the fireplace of the other two albums that bookend it. .

“Rock Metropolis” (1981)
“One Vice at a Time” (1982)
One Vice at a Time was launched in 1982 – a yr previous to Krokus’ “breakthrough” success with Headhunter – and was probably their hardest-rocking (and in addition most derivative) album up to now. It kicks off with one among Krokus’ greatest-recognized pre-Headhunter songs – the oh-so-delicate “Long Stick Goes Increase” (trace: it isn’t about a stick of dynamite…), which rips off AC/DC much more blatantly than traditional. (Which is de facto sayin’ something!). Krokus continues to mine The Thunder From Down Below for inspiration for the rest of the album, particularly on tracks like “Unhealthy Boys, Rag Dolls” and “Down the Drain.” Seriously people, they owe Angus and Malcolm Young some royalties for this one! Despite its close to-complete lack of originality One Vice is still a enjoyable pay attention, particularly when it’s cranked as much as appropriately obnoxious quantity ranges.

“Lengthy Stick Goes Boom” (1982)
So whatever occurred to Krokus anyway
After the platinum success of the Headhunter album, Krokus’ fortunes took a fairly swift downward flip. The band made the poor determination to abandon their headbanging, pedal-to-the-metallic strategy on comply with up albums like 1984’s The Blitz and 1985’s Change of Handle, favoring a slicker pop-steel sound aimed at American rock radio and MTV. The metallic fraternity stated “no thanks” to their new route, labeling Krokus promote-outs and bandwagon-jumpers. Storace left the band after 1988’s barely-seen Coronary heart Attack and Krokus cut up up after one album with a brand new singer (1990’s Stampede).

Storace returned to the fold just a few years later for 1995’s successful To Rock Or Not to Be reunion album, and the band has been lively ever since – even when membership has been something of a revolving door from album to album. Krokus’ most latest CD, Soiled Dynamite, was released in 2013 and so they stay a preferred draw on the concert circuit, especially in Europe.

I hope I’ve piqued your curiosity in this underrated band. If you’re thinking about checking their materials out for yourself, this Unique Album Classics 3-CD set can be a superb place to start out your journey. Now, all I need to do is pick up Headhunter on CD and I am all set…

Get the Set! Comments aren’t for selling your articles or different sites.
sendingAuthorKeith Abt 2 years in the past from The Backyard State

Hi Leo – thanks for stopping by. Will take a look at “Dynamite,” you possibly can never have too many AC/DC ripoffs, haha

Leo 2 years ago
I discovered your site at the moment via Steve Hoffman and really loved it. I also have the Krokus trinity (with 4) and hadn’t heard them in more than 20 years. The time has come. Cheers from Brazil

One other AC/DC’s Bon Scott period rip-off is Dynamite – https://www.youtube.com/watch v=UJ-uQQw04CY
AuthorKeith Abt 2 years ago from The Garden State

Cool, Fox – hope you dig these Krokus data. Rock on!
Fox Music 2 years ago

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